All examples are linked to their sources. Below, we present 50 beautiful examples of tilt-shift photography. Tilting and shifting can actually be used for a variety of other tasks, the most common of which are extending DoF with the Scheimpflug principle with tilt or swing (side-to-side, not top-to-bottom tilt), and keystoning correction and changing the point of view with shift.Tilt-shift photography is a creative and unique type of photography in which the camera is manipulated so that a life-sized location or subject looks like a miniature-scale model. While the miniature effect is often called "tilt-shift" in online articles and tutorials, it's actually only mimicking tilting upwards. If there's an exceptionally tall object in the scene (say a crane), you may have more complex post-processing to do than a simple gradient-you may have to rely on a depth map instead. This will make it easier to create a simple gradient mask for applying blur to look like the very thin depth of field that results from shooting at very close subject distances. Try to shoot so that depth of field follows top-to-bottom of the frame. Colorful objects will also help, since part of the basic technique is to boost saturation to make objects appear more toylike. A lot of people have played with a toy car in their lifetimes. Very few people have scale models of famous landscapes. The effect tends to psychologically work better with objects that you'd recognize as a toy.
Shoot a subject they make into figurines/toys. So shooting from rooftops, airplanes, or any high-up vantage point is a great opportunity for the toy-miniature effect. Folks rarely approach miniatures from eye level, they're usually looking down. Remember you are faking looking down on some tiny little miniature thing. You basically tilt up to decrease the FoV by reshaping the DoF so it's no longer perpendicular to the image plane.īut if you can't afford or don't want to use that type of gear, and are going to create the effect in post-processing, here are the things to keep in mind. Yes, you can use a view camera (like Olivo Barbieri) or a tilt-shift lens (like Vincent LaForet) to do tilt movements to create the miniature effect in-camera.
#Vincent photographer city tiltshift software
I'm not going to say that the results will be identical to a hardware solution, or even satisfactory, just that there is a software option that might be worth trying (or at least "trialing" - you don't have to spend a cent if it doesn't do what you want). In PS natively, that would mean slicing the image up into a whole bunch of sections and applying a progressively stronger blur to each segment as it recedes from the plane of focus, then blending the segments. Unlike the built-in blur options in Photoshop, plugins like Bokeh can perform gradient blurs, simulating the transition from a sharp plane of focus to the completely out-of-focus areas.
#Vincent photographer city tiltshift skin
You can mimic the effect using something like Alien Skin Bokeh. The other answers here have provided good hardware solutions, but haven't addressed the software issue. At a $2500 entry fee (and you can spend an order of magnitude more quite easily) though, it's probably not what you had in mind. What makes it the best way? The huge image circle of view camera lenses means you can go much farther with the effect than with a dedicated TS lens, and the multitude of movements (independent tilt and swing of both the lensboard and the back) means it's easier to find the geometry you want. The best way is to use a view camera with yaw-free movements - and there are a number of mini view cameras that use 35mm-format camera bodies as their "back".
0 kommentar(er)
